| ISBN |
9780195370249 (alk. paper) |
|
0195370244 (alk. paper) |
| Description |
vi, 336 p. : ill. ; 24 cm. |
| Series |
Oxford studies in music theory |
|
Oxford studies in music theory.
|
| Bibliog. |
Includes bibliographical references (p. 321-330) and index. |
| Contents |
Theory. Music as language ; Criteria for analysis I ; Criteria for analysis II ; Bridges to free composition ; Paradigmatic analysis -- Analyses. Liszt, Orpheus (1853-1854) ; Brahms, Intermezzo, in E minor, op. 119 no. 2 (1893), and Symphony no. 1/ii (1872-1876) ; Mahler, Symphony no. 9/i (1908-1909) ; Beethoven, String quartet op. 130/i (1825-1826) ; Stravinsky, Symphonies of wind instruments (1920) Epilogue. |
| Subject |
Musical analysis.
|
|
Music -- 19th Century -- Philosophy and aesthetics
|
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Music -- Philosophy and aesthetics.
|
|
Music -- Semiotics.
|
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Liszt, Franz, 1811-1886. Orpheus.
|
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Brahms, Johannes, 1833-1897. Stücke, piano op. 119. Intermezzo, E minor.
|
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Brahms, Johannes, 1833-1897. Symphonies, no. 1, op. 68, C minor. Andante sostenuto.
|
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Mahler, Gustav, 1860-1911. Symphonies, no. 9. Andante comodo.
|
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Beethoven, Ludwig van, 1770-1827. Quartets, strings, no. 13, op. 130, B flat major. Adagio ma non troppo.
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Stravinsky, Igor, 1882-1971. Symphonies of wind instruments.
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|
