| ISBN |
9781409420750 (hbk.) |
|
1409420752 (hbk.) |
| Description |
xvii, 294 pages : illustrations ; 24 cm. |
| Series |
SEMPRE studies in the psychology of music.
|
| Bibliog. |
Includes bibliographical references and index. |
| Contents |
Introduction, Elaine King and Helen M. Prior; Part I - Listening: Keeping it fresh: how listeners regulate their own exposure to familiar music, Alinka Greasley and Alexandra Lamont; Familiarity,schemata and patterns of listening, Helen M. Prior; The effects of repertoire familiarity and listening preparation on new audiences' experiences of classical concert attendance, Melissa C. Dobson; Familiarity with music in post-operative clinical care: a qualitative study, Katherine A. Finlay. Part II - Musicology: Unfamiliar sounds? Approaches to intercultural interaction in the world's musics, Henry Stobart; Well, what do you know? Or, what do you know well? Familiarity as a structural force in Crumb's Black Angels, Jonathan James Hargreaves; Familiarity, information and musicological efficiency, Vanessa Hawes; Familiarity and reflexivity in the research process, Clemens Wollner, Jane Ginsborg and Aaron Williamon; Familiarity in music education, Susan Hallam. Part III - Performance: The significance of familiar structures in music memorization and performance, Artemis Apostolaki; Groove as familiarity with time, Rowan Oliver; Social familiarity: styles of interaction in chamber ensemble rehearsal, Elaine King; Familiarity and musical performance, Mine Dogantan-Dack; Index. |
| Subject |
Music -- Psychological aspects.
|
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Music -- Performance -- Psychological aspects.
|
|
Music appreciation.
|
|
Musicology.
|
| Alt Author |
King, Elaine, 1974-
|
|
Prior, Helen M.
|
|
Society for Education, Music and Psychology Research.
|
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