| ISBN |
0199659648 (hbk.) |
|
9780199659647 (hbk.) |
| Description |
xxx, 383 p. : illus., music ; 25 cm. |
| Note |
Includes index. |
| Bibliog. |
Includes bibliographical references. |
| Contents |
List of Tables ; List of Figures and Score Examples ; List of Audio Examples ; Notes on contributors ; Notes and Acknowledgments ; Introduction ; PART 1: RECEPTION AND AESTHETICS OF WESTERN CLASSICAL MUSIC PERFORMANCE ; 1. Philosophical Reflections on Music Performance ; 2. The notion of expression in music criticism ; 3. Heuristics for expressive performance ; 4. Commercial sound recordings and trends in expressive music performance: Why should experimental researchers pay attention? ; 5. Expressiveness in historical perspective: Nineteenth-century ideals and practices ; 6. Expressive performance in contemporary concert music ; PART 2: EXPRESSIVENESS ACROSS STYLES ; 7. Understanding performance expression in popular music recordings ; 8. Expressiveness in Jazz Performance: Prosody and Rhythm ; 9. Expressiveness in Funk ; 10. Audience response and expressive pitch inflections in a life recording of legendary singer Kesar Bari Kerkar ; 11. Temporal variation in singing as interplay between speech and music in Estonian songs ; 12. Expressiveness in the performance of Bedzan Pygmies' vocal polyphonies: When the same is never the same ; PART 3: MODELS AND QUANTIFICATIONS OF EXPRESSIVE PERFORMANCE OF WESTERN-CLASSICAL M ; 13. Quantitative methods: Motion analysis, audio analysis, and continuous response techniques ; 14. Using computational models of music performance to model stylistic variations ; 15. Ensemble performance ; 16. A taxonomy of listeners' judgments of expressiveness in music performance ; 17. Training expressive performance by means of visual feedback: existing and potential applications of performance measurement techniques ; PART 4: PROSPECTIVE ; 18. Implications for musicology ; 19. Implications for cognitive studies of musical expressiveness ; 20. Implications for ethnomusicology ; 21. Implications for empirical performance research ; 22. Implications for education ; 23. Afterthought. |
| Subject |
Expressionism (Music)
|
|
Performance.
|
| Alt Author |
Fabian, Dorottya.
|
|
Timmers, Renee, 1974-
|
|
Schubert, Emery.
|
|
