LEADER 00000aam a2200337 i 4500
003 Uk
005 20140925212237.0
008 130816s2014 nyua b 001 0 eng
010 2013033095
020 9780199343638 (hbk.)
020 0199343632 (hbk.)
020 |z9780199343652 (updf)
020 |z9780199343645 (online content)
040 StDuBDS|beng|cStDuBDS|dUk
042 ukblsr
082 00 781.17|223
100 1 Bonds, Mark Evan
245 10 Absolute music :|bthe history of an idea /|cMark Evan
Bonds.
264 1 New York :|bOxford University Press,|c[2014]
300 xiii, 375 p. :|bills. ;|c25 cm.
500 Formerly CIP.|5Uk
504 Includes bibliographical references and index.
505 0 Orpheus and Pythagoras -- Isomorphic resonance --
Expression: The separation of powers ; Music and language
; Music as language ; Mimesis -- Beauty -- Form: Form as
number ; Form as content -- Autonomy: Material autonomy ;
Ethical autonomy -- Disclosure: The composer as oracle ;
Beautiful insights ; Cosmic insights -- Wagner's
"absolute" music -- Hanslick's "pure" music: Hanslick the
conventional ; Hanslick the radical ; Hanslick the
ambivalent -- Liszt's "program" music -- Polemics --
Reconciliation -- Qualities recast: Expression ; Beauty ;
Form ; Autonomy ; Disclosure ; Epilogue : since 1945.
520 What is music, and why does it move us? From Pythagoras to
the present, writers have struggled to isolate the essence
of "pure" or "absolute" music in ways that also account
for its profound effect. In Absolute Music: The History of
an Idea, Mark Evan Bonds traces the history of these
efforts across more than two millennia, paying special
attention to the relationship between music's essence and
its qualities of form, expression, beauty, autonomy, as
well as its perceived capacity to disclose philosophical
truths. The core of this book focuses on the period
between 1850 and 1945.
600 10 Hanslick, Eduard,|d1825-1904.
650 0 Absolute music.
650 0 Music|xPhilosophy and aesthetics.
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