| ISBN |
9780810892415 (pbk.) |
|
0810892413 (pbk.) |
|
9780810892408 (hbk.) |
| Description |
311 p. ; 23 cm |
| Bibliog. |
Includes filmography, bibliographical references and index. |
| Note |
Translation of: Morricone, Ennio. Comporre per il cinema, 2001. |
| Contents |
Introduction : The composer in the cinema -- Audiovisual analysis, part I -- Production procedures -- Audiovisual analysis, part II: Elements for the definition of a film-musicl dramaturgy -- Premix and final mix: The recording and sound design -- Compositional elements: Timbre, use of themes, characteristic stylistic features, and combinations of styles -- Questions and answers -- Appendix 1: Composing for the cinema: a manifesto -- Appendix 2: Writing for the cinema: aspects and problems of a compositional activity of our time. |
| Summary |
A series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. |
| Subject |
Motion picture music -- Instruction and study.
|
|
Composition (Music)
|
| Alt Author |
Miceli, Sergio, 1944-
|
|
Anderson, Gillian B., 1943-
|
| Alt Title |
Comporre per il cinema. English |
|
